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Vatican archbishop featured in homoerotic painting he commissioned

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« on: March 03, 2017, 08:44:13 pm »

Vatican archbishop featured in homoerotic painting he commissioned

The archbishop now at the helm of the Pontifical Academy for Life paid a homosexual artist to paint a blasphemous homoerotic mural in his cathedral church in 2007. The mural includes an image of the archbishop himself.

The archbishop, Vincenzo Paglia, was also recently appointed by Pope Francis as president of the Pontifical Pope John Paul II Institute for Studies on Marriage and Family.

The massive mural still covers the opposite side of the facade of the cathedral church of the Diocese of Terni-Narni-Amelia. It depicts Jesus carrying nets to heaven filled with naked and semi-**** homosexuals, transsexuals, prostitutes, and drug dealers, jumbled together in erotic interactions.

Included in one of the nets is Paglia, the then diocesan bishop. The image of the Savior is painted with the face of a local male hairdresser, and his private parts can be seen through his translucent garb.

According to the artist, a homosexual Argentinean named Ricardo Cinalli who is known for his paintings of male bodies, Bishop Paglia selected him out of a list of ten internationally-known artists specifically for the task of painting the inner wall of the facade. Bishop Paglia, along with one Fr. Fabio Leonardis, oversaw every detail of Cinalli’s work, according to Cinalli, who approvingly notes that Paglia never asked him if he believed in the Christian doctrine of salvation.

“Working with him was humanly and professionally fantastic,” Cinalli told the Italian newspaper La Repubblica in March of last year. “Never, in four months, during which we saw each other almost three times each week, did Paglia ever ask me if I believed in salvation. He never placed me in an uncomfortable position.”

“There was no detail that was done freely, at random,” added Cinalli. “Everything was analyzed. Everything was discussed. They never allowed me to work on my own.”

Cinalli admits to La Repubblica that the naked people in the nets are meant to be “erotic,” although Bishop Paglia drew the line when Cinalli proposed to show people actually copulating.

“In this case, there was not – in this sense – a sexual intention, but erotic, yes,” said Cinalli. “I think that the erotic aspect is the most notable among the people inside the nets.” He later added, “The one thing that they didn’t permit me to insert was the copulation of two people within this net where everything is permitted.”

The reason he wasn’t allowed to be so explicit, says Cinalli, is that his painting had already done enough to demonstrate the notion that man has “freedom” in this life and even in the next, apparently to engage in whatever sexual behavior he deems appropriate. “The bishop and Fr. Leonardis . . . told me that they didn’t think it was necessary to arrive at that extreme to demonstrate the freedom that man, in reality, has in this world and in the next.”

The Catholic Church condemns all forms of sexual behavior outside of natural sexual intercourse between a man and a woman united in marriage, including homosexual sodomy, and warns that those who die unrepentant of such sins will suffer eternal damnation.  The doctrine, which is found in the Old and New Testaments of the Bible, is reflected in the Catechism of the Catholic Church, which calls homosexual acts “intrinsically disordered,” and adds, “Under no circumstances can they be approved.”

Under the supervision of Paglia, Cinalli painted the bishop himself in one of the “erotic” nets, semi-**** and clutching a bearded man wearing nothing but a loose loincloth. He also painted Fr. Leonardis, then head of the Office of Cultural Heritage, as a naked, muscular man with a tattoo of a cupid’s arrow running through a heart containing the word “love,” entangled with others in one of the “erotic” nets.

rest: https://www.lifesitenews.com/news/leading-vatican-archbishop-featured-in-homoerotic-painting-he-commissioned
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